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Der Tag, an dem Bill kam
Kreischende Mädchen und 93 Sanitäter-Einsätze: "Tokio Hotel" mit Bill Kaulitz spielte in der Münchner Olympiahalle. Ein Abend mit vier jungen Musikern, die "durch den Monsun" gingen und ein Teenie-Traum wurden.
Von Hans-Jürgen Jakobs
"Es ist ein Traum aller Mädchen, Bill zu sehen. Und ich werde ihn sehen.“
Der Tag, an dem Bill Kaulitz nach München kommt, ist für weibliche Teenager so etwas wie der Tag des Jahres, auch für die zwei Töchter des Reporters. Hunderte warten am Dienstag schon Stunden vor dem Konzert in der Olympiahalle; einige waren in der Nacht zuvor da. Kreisch-Alarm! Und es gibt einige "Versorgungen", wie das die Sanitäter von der Johanniter-Unfallhilfe nennen.
Screaming girls and a team of 93 paramedics: "Tokio Hotel" with Bill Kaulitz played in the Münchner Olympiahalle. An evening with four young musicians, who went "through the monsoon" and live a teenie-dream.
From Hans-Jürgen Jakobs
"It's the dream of every girl, to see Bill. And I'm going to see him.“
The day Bill Kaulitz came to München, is for female fans something like THE DAY of the year, also for both of the reporter's daughters. Hundreds have been waiting on Tuesday for hours before the concert in the Olympiahalle; some were there the night before. Screaming-Alarm! And there several "supplies", as the paramedics of the Johanniter-Unfallhilfe name it. [does it make sense?]
Tokio Hotel is a nice, quite normal band, so as the four sit in the plastic chairs that are ver all the Olympiahalle. Most of the times talks Bill, sometims in duet with his brother Tom. "We love big cities and hate villages", sais the 17-years-old by the question about the name of the band: "Tokio is is a city, where we would like to go, and hotels are the places where we live."
In the catacombs of the hall Bill is sitting 90 minutes before of the concert in one of the little rooms and sais: "I find it cool, when our fans wait for so long. It's naturaly sad when someone overcools. Sometime we also give blankets and soup to distribute among them."
Bill Kaulitz is along with his twin Tom and the other band members Georg und Gustav the Rockband Tokio Hotel, a german phenomenon, two years before they were created in the easten germany lowlands in Magdeburg - and now, just before becoming adoults, they still are a colective girls' dream all over the country.
"Bill, make me a baby!"
"We would never separate, whatever happens", is what Bill Kaulitz by the end of this evenign will say in the concert to Tom Kaulitz, in front of approximately 6000 girls as well as 600 mothers and fathers.
München!“, "München!“ will be screamed and a poster in the public - "Bill, make me a baby!" - with the comment "Right now?“ There are also Four-Letter-Words in the painted posters that the screaming girls hold up. One dances in a black bra. Now plushies don't fly as often as before. THe jump must have been big for someone, that same as the Kaulitz brothers, has lived in Loitsche, by Madgeburg. "We are always nervous“, tells Bill, "there is more stress than in our last tour. We have with us the triple Crew."
They have been this time in cities such as Wien and Paris and are presenting their new CD "Zimmer 483“. The last time in München they played in the little Zenith-Halle. Now they rock, like Shakira or Pink, in the bigger Olympiahalle, what can be a real problem, if it's not full up. Tokio Hotel play the programm in a professional way. Catchy Refrains, concise Riffs. Solid Rock. Gooseflesh in "Durch den Monsun".
Lifted on stage
Singer Bill Kaulitz, whose androgyn charisma is an often theme in the media, has to bear bravely the hard part of being the frontman. His hair is teased as Nina Hagen's was. He speaks about "real fans" and in a Interrupti he calls a Birgit from the fan-cloud under him; she would be lifted by huge guards on to stage. And the Birgit sings with Bill for "the last day".
"What's the most important thing, is that I'm not ill, that we all are here and all goes right", has Bill said before the concert. Stern writes about "Nirvana für Teenies“. And in the Spiegel a so called Pop-Journalist has compared Tokio Hotel with the Beatles what made proud the german "Fab four", and some of the memebers think it's right.
That for Bill & Co. the screams would be at some time too much for them, and as the Beatles did would only work at the studio, is something not expected: "Live is more fun as in the studio." And maybe for the Beatles it would have been something differenet.
In magazines for youngsters and in Internet you cand read everything possible about the good Live-Band Tokio Hotel. Bill Kaulitz has fun with the supposed quotes, rumours and stories like the one in a mag called Hey, where Tom is now "the King" of the band and because of that they have put on him per Fotomontage a crown.
"A lot doesn't get any interview and must write something. Then they would invent something. You can only believe 50% of what you read." Worst are the paparazzi, who even in holidays are chased. In Germany they can only go anywhere alone, never the four of them - and also always in disguise.
Absence of parents savefeeping
At the concert, some eight-grade blond girls jump in the tribunes. Mothers dance with them, fathers make photographs. Martina sais, as Bill starts to sing, that she didn't charge her cell phone, and her mother screams at her form the tribune: "You knew it months ago!" and she gives her the cell phone, and Martin can make lots of pics of the heroes on stage.
Under, in the interior rooms, a Tokio Hotel-fan cries. "I want to go back with Bill", Unten, im Innenraum, weint ein Tokio-Hotel-Fan. "Ich will zurück zu Bill!", sobs over her desperated mother. The guards had to take her out of the first line, because she was hardly pushed ahd could not breath. Scream, if you can! In Frankfurt, the organizers had made something like a parents' support area made for the older, for whom all that is too much, with coffee and journals.
In München there was missing something like that. If you asked some of the guards for it, you only became an unbelievable shake of the head as answer. A drinks seller points laughing at the ice-cold drinks behind her: "At least this is somehthing!"
With nine years had Bill Kalutiz already composed. With 13 he was, with little success, in Star Search" at Sat.1, one of the many Castingshows of german TV. It was a lost bet about being with a girl, tells his brother Tom: "But it was good that he didn't win it." Bill said, he wouldn't have neve gone to the final, it was only for fun. He wnted better to make music in his band, that at that time the were called Devilish.
Skipping classes for Bill
It reminds a little of Max Buskohl, who in RTLs "Deutschland sucht den Superstar" has abbandoned right before the final, because good Max wants to better play with his band rather than going solo, under the kurz vor dem Finale entfernt haben, weil der gute Max lieber mit seiner Gruppe auftritt als solo under the aegis of the broadcast station and the consequent media concern. "Who is Max Buskohl?", asks Bill Kaulitz. At a tour like this, you don't become any of this little things about fights in RTL.
After the concert, losts of visitors buy the evening edition of the Münchner journal. There's the story that the Munich Police were on Tueday at the entrance of the Olympiahalle chasing truants, that for Bill hadn't gone to school, only to see him nearer. "Really incredible", sais one of those journal buyers.
"93 attended (six of them were males), 2 taken into hospital", it's the balance of the Johanniter. In the train, back home, lots of girls stare at their cellphones in order to see again Bill on stage. He himself is at that moment with his band sitting to have lunch, and then they will go on with their bus to Berlin. Sometime their travel may bring them to Tokio, they already were in Moscow.
"Now this is my favourite band, they are better als Silbermond", sais the youngest daughter after the interview Tokio Hotel. The other sais: "It's really cool to ba a popstar - but also very stressful."
So was the day, when Bill Kaulitz to München came.
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Schrei wenn nicht mehr geht und lass es alles hinter dir , es gipt nicht mehr zu verlier`n
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